Hardcover

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Overview

An original hardcover graphic novel that tells the story of one very dark night in Gotham City—from the creative team behind the graphic novel Lex Luthor: Man of Steel. 

The Joker has been mysteriously released from Arkham Asylum, and he's none to happy about what's happened to his Gotham City rackets while he's been "away." What follows is a harrowing night of revenge, murder and manic crime as only The Joker can deliver it, as he brutally takes back his stolen assets from The Penguin, The Riddler, Two-Face, Killer Croc and others.

Brian Azzarello brings to The Joker all the visceral intensity and criminal insight that has made his Vertigo graphic novel series 100 Bullets one of the most critically-acclaimed and award-winning series in all of comics.

Product Details

ISBN-13: 9781401215811
Publisher: DC Comics
Publication date: 11/04/2008
Pages: 128
Sales rank: 205,914
Product dimensions: 7.06(w) x 10.36(h) x 0.48(d)
Age Range: 16 - 18 Years

About the Author

About The Author
Brian Azzarello has been writing comics professionally since the mid-1990s. He is the author of Jonny Double, Batman: Broken City, and the Harvey and Eisner Award-winning 100 Bullets, all created in collaboration with artist Eduardo Risso. Azzarello’s other work for DC includes Hellblazer and Loveless with Marcelo Frusin; Dark Knight III: The Master Race with Frank Miller, Andy Kubert, and Klaus Janson; Superman: For Tomorrow with Jim Lee; Joker and Luthor with Lee Bermejo; Sgt. Rock: Between Hell and A Hard Place with Joe Kubert; Filthy Rich with Victor Santos; and most recently the all-new ongoing series Wonder Woman with Cliff Chiang.

Lee Bermejo began drawing comics in 1997 for WildStorm Studios in San Diego at age 19. He collaborated with acclaimed writer Brian Azzarello on the graphic novels Joker and Luthor, and worked with writer John Arcudi on the Superman feature in Wednesday Comics. He has also worked on Hellblazer with Mike Carey and Global Frequency with Warren Ellis. Bermejo has illustrated the covers to the line of Vertigo Crime graphic novels, beginning with Filthy Rich, written by Brian Azzarello, and Dark Entries, written by Ian Rankin. Bermejo has lived in Italy since 2003.

Interviews

Brian, what can you tell us about JOKER?

It s dark, it’s disturbing… inky, oily, unapologetic noir. It’s the story of a crime boss-- in this case Joker-- reclaiming the city he lost when he got locked up.

How did you approach writing Joker?

I dove right in the deep end with him. I found he was a character that couldn’t be half-assed. His story grabbed me by the throat while I was writing it, and dragged me to some very bad places-- much like what happens to Jonny Frost, the low-level thug who acts as the story’s narrator.

What aspects of his character did you choose to focus on, and why?

Strange at it seems, his struggle to control-- Gotham City for sure, and it’s criminal underworld, but also himself. Like… he’s insane, but he could be even “insaner”, and he knows it. I played with that notion.

The characters, situations and action are all rooted in a gritty reality, with very little superhero/comic book-y aspects. What made you gravitate toward a more street-level portrayal of Gotham and its residents?

It just feels right to me. I think Gotham City works best this way; a twisted reflection of our own urban realities. It really is a town without pity.

What is it about Lee Bermejo that makes him the ideal collaborator on this, after you guys teamed up on LUTHOR?

Lee definitely shares the same sensibilities that I have. There’s a lot of mutual respect too; we want each other to succeed.

What did he bring to the project that elevated it for you?

Lee’s artwork is stunning. He absolutely nails the mood of this story-- and Joker himself. I don’t think readers will see the character in the same way again after reading this book. His work redefines.

Why do the Joker and Batman fit in with these kind of stories so well?

Like Gotham City, they too are reflections of our own reality, I think. There’s nothing super or paranormal about them. They’re human, only “turned up to eleven”.

What do you hope readers get out of reading JOKER?

An experience-- I hesitate to say enjoyment. Lets say thrilled. I hope they are thrilled. I hope they find that while the criminals of Gotham are scared of Batman, they’re absolutely terrified of Joker.

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